The image features the stylized white text "Liturgia Andreska" on a black background, with "Liturgia" written in a cursive font and "Andreska" in block letters beneath it.

"Bekleidet mit einem leinenen Leibrock begann David mit aller Kraft vor dem Herrn zu tanzen."

"David und das israelitische Volk jubelten und bliesen in die Trompete, als sie die Lade des Herrn in die Stadt brachten." 2 Samuel 6, 12-23

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Die Liturgie ist eine eindringliche Erfahrung, wie Gott in Andalusien im Laufe der Jahrhunderte besungen wurde und welchen Einfluss sie auf den Flamenco hat.

A person standing amidst candles arranged in a heart shape inside a church with ornate carvings, an altar, and religious symbols.
A person with long dark hair, dressed in dark clothing, performing a dance or movement in a dimly lit church or cathedral with wooden altar and religious statues in the background.
Silhouette of a person walking down the aisle of a dimly lit church decorated with candles, with an ornate altar in the background.
People singing in a choir during a music performance.
A man is standing in the center, surrounded by four people in a dimly lit room with candles on the floor, in front of an altar or religious setting.
Three people are standing close together in a church, singing or praying with their eyes closed and hands clasped or near their chests. The background shows ornate religious decor and a large altar piece.
A person dancing or performing in a dimly lit room with ornate woodwork and religious paintings on the wall.
A man with long dark hair and a beard is sitting with his eyes closed inside a dimly lit church. He is wearing a dark jacket and has his arms crossed over his chest. In the background, there is an ornate altar with religious statues and a floral arra
A man performs a dance surrounded by lit candles in a church, with a woman playing a musical instrument on the left and an altar in the background.
A man with long dark hair and a beard stands in a dimly lit room with his arms outstretched and head tilted back, appearing to be in a pose of concentration or worship, with an ornate wooden altar or altar piece in the background.
Four people singing in a church. The man in the center has curly hair, a beard, and is wearing a beige shirt with buttons. The others have their eyes closed, possibly singing passionately.
A man with curly dark hair, beard, and earring looking to the side in a warm-lit room with a woman with dark hair in the background.
A man with long dark hair and a beard stands at a prayer altar, singing passionately with his eyes closed, in a dimly lit church interior with religious icons and a floral arrangement.
A person, possibly a young woman, running in front of a church altar or an ornate religious altar with statues and wooden detailing inside a church.
A man with long hair and a beard, dressed in black, is dancing in a dimly lit church or cathedral, surrounded by numerous candles arranged in a square shape on the floor. In the background, a musician is seated with a music stand, and the ornate inte
A woman with long dark hair and outstretched arms stands inside a dimly lit church, with an ornate altar in the background.
A man passionately singing or shouting, with eyes closed and fists clenched, in a dimly lit room with a religious icon or painting in the background.
A person with dark hair and glasses is raising their arms and looking upward inside a dimly lit room with wooden details and religious artifacts in the background.

Treffen Sie das Team

A man with dark hair singing passionately into a microphone in a dimly lit room with a religious icon in the background.
A man, Jose Maya, best flamenco dancer, with long dark hair and beard standing in a dimly lit church, arms outstretched, eyes closed, in front of ornate altar with religious statues and gold accents.

José Maya

Woman gesturing with her hand while speaking, indoors with stone wall background.

Sandra Carrasco

A man with curly dark hair and a beard, wearing a white shirt, holding his chest while looking down, standing indoors against a stone wall.
A man with glasses and gray hair playing a cello in a dimly lit church decorated with candles.

José Luis López

Diego Amador Jr.

Rafael Jiménez "Falo"

Die Erfahrung

Wir schlagen dem Zuschauer vor, an einer einzigartigen Erfahrung teilzuhaben. Mit ihren fünf Sinnen und an kultischen Orten für ein komplettes Erleben.

Buscamos influencias en cómo le cantaban a Dios las culturas que han existido en Andalucía (y España) a través de los siglos hasta llegar al Flamenco: tartessos, fenicios, romanos, hebreos, bizantinos, Al-Ándalus, mozárabes, castellanos y, por supuesto, los gitanos.


Sin artificios. 100% acústico. Solo cante, baile y palmas, los instrumentos ancestrales de la humanidad.

Jede Liturgieerfahrung ist einzigartig und unwiederholbar, dank des Raumes, in dem sie stattfindet.

- Inmersión in einer flämischen Liturgie

Gerhard Steingress: "con la popularización de la música litúrgica cristiana, sus modalidades melismáticas y cromáticas procedentes del canto mozárabe y luego gregoriano quedarían asimiladas a las nuevas tendencias musicales de los siglos XVIII y XIX".
Der " orientalismo musical " des cante jondo entstand nicht durch eine spontane Generation im XIX, sino que estuvo presente en el escenario de los cantos litúrgicos (entre otros) que serían utilizados por el pueblo andaluz y usados como " modelo " para la asimilación y reelaboración de los cantos populares, tanto religiosos (saeta) como profanos (" tonadas ").
Turina: "lo jondo" no es una característica gitana sino que "lo gitano" es una característica de "lo jondo" procedente del canto litúrgico medieval tanto mozárabe como almuédano, ein Erbe der bizarren Liturgie und der andalusischen Musik, das sich über die ursprüngliche Saata bis hin zum Tona(dem Einfügen alter Musiktraditionen in den Flamenco) entwickelt und später in die "gitanische Musik" übergeht.

- Fundamente

Wir propagieren eine "andalusische Liturgie" als "Erbschaft" der Gesamtheit der verschiedenen Formen der Feier der religiösen Riten in Andalusien im Laufe der Geschichte. Es el resultado de la asimilación y continuación de cada una de las influencias de los distintos pueblos que fueron poblando esta tierra.
La Andalucía ya cristiana vive su edad de oro musical a mediados del Siglo XVIII, teniendo en la " liturgia cristiana andaluza " su mayor esplendor. Und die Cafés Cantantes. Y la situación social y política de la España del XIX. Y tantos íes.

"El flamenco es una liturgia en sí mismo. A compás. En tu sitio. Ahora es mi momento. Y patrás. Silencio. Subida!. Macho. Ahora vamo' a escuchá la guitarra. Y yo cuando canto?
Queremos proponer una forma distinta de acercarse al flamenco. Deslocalizarlo de los escenarios habituales para relocalizarlo en los lugares de donde ha bebido este arte. Estos luges -y las gentes que en ellos participan- han ayudado a mantener el hilo conductor de la cultura musical andaluza a través de los siglos", Daniel Torres.

- Leistung

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    RFI

    Radio France Internationale - Jordi Bataille

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